Spotify is testing an app that sees it move firmly into Pandora’s territory.
‘Stations’ is a new Android-only app that is being piloted by the company in Australia — it was first noticed by app analytics firm Sensor Tower on Tuesday.
This app offers a ‘lean-back’ option to listen to music based on genres and managed playlists. In the description, Spotify… Read More
The encouragement comes from a letter penned by a group calling itself Voices in Entertainment, consisting of women in the music industry, according to the Hollywood Reporter.
Addressed to its “brothers and sisters in music,” the letter explained the group “is inspired by the #timesup campaign” and is encouraging “the artists that we work with and our colleagues attending the 60th Annual Grammy Awards in New York City to wear a white rose to the ceremony on Sunday, January 28th.” Read more…
Rapper Joey Bada$$ put his own spin on a Prince classic on Friday, with a cover dubbed “When Thugs Cry.”
Performed at Australian radio station triple j on Friday, for the popular, weekly “Like a Version” cover songs segment, the Brooklyn artist paid tribute to The Purple One.
“To this day my mum is the biggest Prince fan, she always played Prince around the house, put me on to Prince at such an early age. Me and her we used to always sing “When Doves Cry” together, so I made my own version. It’s called “When Thugs Cry,” he told triple j.
Joey Bada$$ is currently touring Australia, performing at Melbourne’s Sugar Mountainfestival in Melbourne alongside Actress, A.B. Original, Jamila Woods and more on Saturday, Jan. 20. Read more…
In an open letter posted on Facebook Wednesday, ambassador Itzhak Gerberg called the decision “regrettable” and criticised the Boycott, Divestment and Sanctions (BDS) movement for pressuring the singer into cancelling her show.
“Music is a wonderful language of tolerance and friendship, which brings people together,” the letter reads. “Your concert in Israel could have spread the message that solutions come from constructive engagement that leads to compromise and cooperation.” Read more…
Jason Barnes has used robotic prosthetics before, but this is the first time he has been able to move each finger independently and even play the piano again.
Researchers at Georgia Tech’s Center for Music Technology developed the unique robotic arm using ultrasound sensors that allow amputees to control each prosthetic finger using muscles in their residual limbs. Read more…
Feds want to seize everything around Martin Shkreli.
Prosecutors asked a Brooklyn court on Friday to force the incarcerated “pharma bro” to forfeit some of his most valuable possessions, including the $2 million single-copy Wu-Tang Clan album Once Upon a Time in Shaolin, the unreleased Lil Wayne album Tha Carter V, a Picasso, and an antique World War II Enigma machine.
Shkreli, who gained notoriety when he spiked the price of a life-saving AIDS drug as CEO of Turing Pharmaceuticals, was convicted in August of defrauding hedge fund investors in an incident unrelated to the pricing debacle. He’s currently in jail as he awaits a sentencing in which he could see up to 20 years in prison. Read more…
Co-written with producer pal Jack Antonoff, the track appears to make a few digs at the rapper, who Swift has had a complicated friendship with over the last few years, from the 2015 Grammys to the West’s “Famous” lyric, right up until that phone call. Read more…
Today we’re hanging out with EDM artist Dillon Francis, Apple opens for iPhone X pre-orders and releases a sleeve for MacBooks, Walmart starts using robots in stores and Russia condemns Twitter for banning two of its media companies from advertising on the platform. All this on Crunch Report. Read More
Feel free to file this in the “unlikeliest covers ever” folder.
Lil Wayne covered the Friends theme song, poking fun at the San Francisco 49ers’ poor start to the NFL season in a promotion for the league’s second week on Fox.
Well, as fans would know the 49ers did indeed go 0-2 with their loss to the Seattle Seahawks on Sunday, but the upshot is that we’ve got this utterly bizarre Lil Wayne cover to store in our minds forever. Read more…
In terms of box office takings, a trailer can make or break a movie.
On the one hand, it could go viral. It could be like the IT teaser trailer. That one’s had almost 31 million YouTube views at the time of writing, and it even set a record for the most online views in a single day.
If the trailer misses the mark, though — if it’s a bit drab or, even worse, it gets panned — it could significantly damage the hype around a movie’s release.
One man who’s well aware of this is 26-year-old Frederick Lloyd. Under the name Ursine Vulpine, he has composed music that’s featured in a huge number of blockbuster trailers: everything from Mad Max: Fury Road to the recent Professor Marston & The Wonder Women: Read more…
The ’90s song you probably won’t admit you like — but secretly really, really do — got a cover from HAIM, and it’s out of this world.
Shania Twain’s “That Don’t Impress Me Much” was covered on Australian radio station triple j, but instead of extending the rambunctiousness of the 1997 hit, the three piece went for a stripped back version that is really, seriously, quite unexpected.
HAIM also covered Twain’s “Man! I Feel Like a Woman” last month, so look, it’s probably not going to be the last cover of the Canadian country singer we’ll hear from the band.
Third-party dealers had reportedly been selling the affected tickets at prices of as much as eight times the face value, which was between £49 ($64) and £88 ($115). One pair of seats was even rumored to have been listed at a whopping £174,000 ($227,700). Read more…
On Saturday morning the Canadian Prime Minister dropped his hot seasonal Spotify playlist on Twitter, featuring some lovely artists like Drake, Shawn Mendes, k.d. lang, The Tragically Hip and holy smokes wait just a minute, these artists are all CANADIAN.
Animator Chad Essley writes, “The new MC Frontalot (previously) nerdcore video is out for the 4th of July! Celebrate our nation’s hostility toward the British crown by listening to Front rap about internet arguments over Free Software!” (more…)
Rolling Stone magazine asked the Prince of Darkness to list his ten favorite metal albums. Here are five of Ozzy’s sure-shots:
AC/DC, ‘Highway to Hell’ (1979)
“I love Brian Johnson but to me my good friend, the late Bon Scott, was the best singer AC/DC ever had. This album was like an addiction to me.”
Guns N’ Roses, ‘Appetite for Destruction’ (1987)
“One of the greatest debut albums of all time. There’s not a weak song in the bunch. I never get tired of hearing it.”
Led Zeppelin, ‘Led Zeppelin IV’ (1971)
“I’ve always been a huge Led Zeppelin fan. All of their studio albums are classics but this is one of my all-time favorites.”
Metallica, ‘Master of Puppets’ (1986)
“I took Metallica on tour with me after the release of Master of Puppets. The album was a milestone for the band and for heavy metal.”
Motörhead, ‘Ace of Spades’ (1980)
“The album that put Motörhead over the top. The title track “Ace of Spades” is Motörhead’s “Paranoid.” It’s one of the great metal anthems and, to me, a band hasn’t made it until they have their own anthem. This is theirs.”
I decided to support him on Patreon, and as one of the perks of my support, I got to choose a song for him to do a version of. Of course, I chose Final Fantasy, specifically the Bombing Mission theme from Final Fantasy VII. Not only did he do an awesome bluegrass rendition for me, he presented it complete with in-game combat visuals!
Patreon has been a great way to support independent artists across a huge spectrum of genres, and a great way to discover and support musicians, authors, artists, and makers.
I was listening to the latest Judge John Hodgman podcast today (as I do every week!) which was performed live in Washington DC; as with every live show, there was a musical guest, and this guest was so completely awesome I made a note to post about him when I got home. (more…)
Jeremy Messersmith writes, “I have a new record coming out on Friday and I’ve released it early as a songbook over at my website (free with an email). It’s called ’11 Obscenely Optimistic Songs For Ukulele: A Micro-Folk Record For The 21st Century And Beyond.’ It has songs about kittens, unicorns, wealth redistribution, critical thinking, and the power of love. I wrote it to be an antidote to all the toxic news as of late; a musical unicorn chaser. I’m also embarking on a 50 show, Atlas Obscura inspired sing-along tour; all free and in scenic public spaces. I’ve compiled a collection of songs that fans have covered so far into a YouTube playlist over at my website. Thanks for considering!
They cuddledThey selfied. They reminded us we are on this Earth for only a heartbeat; there is only loving and being loved. And yet, when Drake’s new “playlist” More Life appeared on Saturday, there was no new track featuring Ms. Lopez. How cruel.
She’s gone, but not forgotten. In the opening track “Free Smoke,” Drake raps that he sends J-Lo messages while under the influence. Apparently, she has declined to update him with her new digits. Read more…
The great Chuck Berry, “who with his indelible guitar licks, brash self-confidence and memorable songs about cars, girls and wild dance parties did as much as anyone to define rock ’n’ roll’s potential and attitude in its early years,” died on Saturday, the New York Times and others reported Saturday. He was 90.
German photographer Robert Götzfried has published his latest series on the original high-tech wall of sound: church organ pipes. His beautiful symmetric photos show the remarkable variations possible. (more…)
Seth Kranzler created “Steve Reich is calling,” a delightful composition for two iPhones that celebrates (and parodies) legendary minimalist composer Reich’s early phase music. This form of composition employs two or more identical phrases of music played at slightly different tempos so that they shift in and out of phase. Reich’s most famous phase music compositions are “Clapping Music” (1972), “Piano Phase” (1967), and the fantastic tape music pieces “Come Out” (1966) and “It’s Gonna Rain” (1965). Listen to the latter two below.
American Grandma is a fantastic two-piece band from Colorado consisting of Jennifer Lynn Keller and Caden Marchese. They have a new album on the First Base Tapes label, titled Sensation / Forever, that I’ve been listening all week. It’s available on cassette here. You can preview it here.
Thank you to our 50 million subscribers. #Spotify50 pic.twitter.com/eXkOV71bwu — Spotify (@Spotify) March 2, 2017 Spotify has reached a new milestone after it crossed 50 million paying users. The service is currently available in over 60 markets, with a total catalog of more than 30 million songs on off. The streaming firm clocked 40 million ‘Premium’ subscribers in… Read More
Evan Greer writes, “SXSW is one of the most popular music festivals in the US. It was just revealed that they are actively threatening bands from outside the US with “immediate deportation’ and immigration investigations if they perform at ‘unofficial’ events during the festival. At a time when immigrants are under attack, this policy is all the more chilling. Sign the petition to tell them to drop this practice.” SXSW has had this policy for years, apparently, but it still sucks. (more…)
Aging Jimmy Buffett fans, aka Parrotheads, take note! Latitude Margaritavile is a new senior housing community under construction in Daytona Beach, Florida. The facility is scheduled to open in the fall and promises to “reflect Margaritaville’s authentic, ‘no worries,’ tropical vibe.” Sounds lovely. I can just imagine my life there, “nibblin’ on sponge cake, watchin’ the sun bake.”
On what would have been Lou Reed’s 75th birthday today, his widow Laurie Anderson announced that the New York Public Library has acquired the musician’s complete archives. To celebrate, the NYPL is hosting displays and events celebrating Reed’s life and work. Details here. Meanwhile, the good people at indie record label and publisher Anthology tweeted that they will work with the library and Reed’s representatives “to publish new works!” From the NYPL:
The Lou Reed Archive includes:
• Original manuscript, lyrics, poetry and handwritten tai-chi notes
• Photographs of Reed- including artist prints and inscriptions by the photographers
• Tour itineraries, agreements, road manager notes & paperwork
• 600+ hours of live recordings, demos, studio recordings and interviews
• Reed’s own extensive photography work
• Album, book, and tour artwork: mock-ups, proofs and match-prints
• Lou Reed album and concert posters, handbills, programs, and promotional items
• Lou Reed press for albums, tours, performances, books, and photography exhibits
• Fan mail
• Personal collections of books, LPs and 45s
The collection documents collaborations, friendships, and relationships with Delmore Schwartz, Andy Warhol, John Cale, Maureen Tucker, Sterling Morrison, Mick Rock, Robert Quine, Sylvia Ramos, Doc Pomus, Václav Havel, Hal Willner, John Zorn, Robert Wilson, Julian Schnabel, and Laurie Anderson.
dj BC writes, “In 2006 I mixed a bunch of New Orleans artists with Wu Tang rappers to make the record ‘Wu Orleans.’ 11 years later, here’s part two, with ten new songs. Free MP3 download of both albums here. A very limited run of vinyl with all 20 Wu Orleans songs on two records, and new art, is allegedly coming on record store day in April. Here’s the video for ‘Express Your Brain, Champ’ with Ghostface Killah, Nicky Da B (via Diplo), Dirty Dozen Brass Band, and dj BC. Laissez les bon temps roulez!”
Little background, here: Nicki Minaj has famously declared herself the Queen of Rap, on several occasions—including but not limited to her feature on Ariana Grande’s “Side to Side” (“I’m the queen of rap, young Ariana run pop“) and her feature on Rae Sremmurd’s “No Flex Zone – Remix” (“Run this game for 5 years/ guess that’s why my feet hurt…Yes, I am an icon, that’s me on your t-shirt“). Read more…
Snapchat has been having some fun with music on the app. Last month, they helped Ed Sheeran debut 30-seconds of his new song “Shape Of You” via a lens, where users could don blue sunglasses and dance amid fictional disco lights.
But not everyone is playing along. Kate Nash, an English singer-songwriter perhaps best known for the song “Foundations,” accused Snapchat of stealing the rights to that exact song. She broadcasted her accusation on Twitter Friday, posting a video of her using the lens:
In 1948, Robert Moog, age 14, was inspired by classical Theremin performer Clara Rockmore to build his own Theremin. Then in 1964 Moog designed a brand new kind of electronic instrument, a modular voltage-controlled synthesizer. That instrument and Moog’s work since transformed the sound of modern music forever. To hear how, dive into this fantastic 10-hour Moog playlist:
Today my friends in Rogue Wave released the video for their lovely cover of Pete Townshend’s “Let My Love Open the Door.” The track is from their latest release “Cover Me,” a quite wonderful covers album that consists entirely of Rogue Wave going back to their 1980s musical roots, influences, and mix tape favorites. Songs include The Cure’s “In Between Days,” The Cult’s “She Sells Sanctuary,” The Church’s “Under the Milky Way,” The Romantics’ ‘Talking In Your Sleep,” and many more 80s MTV classics. “Cover Me” is available for digital download or colored vinyl — pink or splatter paint, natch.
“Chained to the Rhythm” is a new kind of Katy Perry song, certainly.
“Are we tone deaf / Keep sweeping it under the mat / Thought we could do better than that / I hope we can,” Perry sings. “So comfortable, we’re living in a bubble, bubble / So comfortable, we cannot see the trouble, trouble.”
Aside from the lyrics, the song’s video even features a very cute hamster, eating tiny versions of people food, because this is still the girl behind “Last Friday Night.”
David Axelrod, whose 1960s and 1970s production and compositions melding jazz, soul, and rock had an indelible impact on contemporary hip-hop and R&B, has died at age 83. From Billboard:
Born in Los Angeles in 1933, Axelrod produced his first album in 1959 and went on to become a pioneer in combining jazz, rock and R&B in recorded music. He spent several years working for Capitol Records in production and A&R in the 1960s and went on to release more than a dozen of his own albums.
While a contemporary of, and somewhat analogous to, idiosyncratic composer/arrangers like Van Dyke Parks, Axelrod was much more influenced by jazz, as reflected in his orchestrations and his own compositions. He produced David McCallum’s Music: A Bit More of Me, the 1967 release featuring “The Edge,” a song that famously turned into the predominant sample in Dr. Dre’s 2000 hit “The Next Episode.” He also collaborated with the Electric Prunes on their bizarre 1968 album Mass in F# Minor, and when the group splintered in the middle of recording, he finished it with session musicians.