## THE HISTORY OF DON QUIXOTE, Vol. II., Part 42.

    The Project Gutenberg EBook of The History of Don Quixote, Vol. II., Part
    42, by Miguel de Cervantes

    This eBook is for the use of anyone anywhere at no cost and with
    almost no restrictions whatsoever.  You may copy it, give it away or
    re-use it under the terms of the Project Gutenberg License included
    with this eBook or online at www.gutenberg.net

    Title: The History of Don Quixote, Vol. II., Part 42

    Author: Miguel de Cervantes

    Release Date: July 25, 2004 [EBook #5945]

    Language: English

    Character set encoding: ISO-8859-1

    *** START OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 42 ***

    Produced by David Widger

# DON QUIXOTE

## by Miguel de Cervantes

### Translated by John Ormsby

### Volume II., Part 42
Chapters 73-74

### Ebook Editor's Note

> > > > The book cover and spine above and the images which follow were not part of the original Ormsby translation--they are taken from the 1880 edition of J. W. Clark, illustrated by Gustave Dore. Clark in his edition states that, "The English text of 'Don Quixote' adopted in this edition is that of Jarvis, with occasional corrections from Motteaux." See in the introduction below John Ormsby's critique of both the Jarvis and Motteaux translations. It has been elected in the present Project Gutenberg edition to attach the famous engravings of Gustave Dore to the Ormsby translation instead of the Jarvis/Motteaux. The detail of many of the Dore engravings can be fully appreciated only by utilizing the "Enlarge" button to expand them to their original dimensions. Ormsby in his Preface has criticized the fanciful nature of Dore's illustrations; others feel these woodcuts and steel engravings well match Quixote's dreams. D.W.

## CONTENTS

    CHAPTER LXXIII
    OF THE OMENS DON QUIXOTE HAD AS HE ENTERED HIS OWN VILLAGE,
    AND OTHER INCIDENTS THAT EMBELLISH AND GIVE A COLOUR TO THIS
    GREAT HISTORY

    CHAPTER LXXIV
    OF HOW DON QUIXOTE FELL SICK, AND OF THE WILL HE MADE,
    AND HOW HE DIED

# DON QUIXOTE

## Volume II.

## CHAPTER LXXIII.

### OF THE OMENS DON QUIXOTE HAD AS HE ENTERED HIS OWN VILLAGE, AND OTHER INCIDENTS THAT EMBELLISH AND GIVE A COLOUR TO THIS GREAT HISTORY

At the entrance of the village, so says Cide Hamete, Don Quixote saw two boys quarrelling on the village threshing-floor one of whom said to the other, "Take it easy, Periquillo; thou shalt never see it again as long as thou livest."

Don Quixote heard this, and said he to Sancho, "Dost thou not mark, friend, what that boy said, 'Thou shalt never see it again as long as thou livest'?"

"Well," said Sancho, "what does it matter if the boy said so?"

"What!" said Don Quixote, "dost thou not see that, applied to the object of my desires, the words mean that I am never to see Dulcinea more?"

Sancho was about to answer, when his attention was diverted by seeing a hare come flying across the plain pursued by several greyhounds and sportsmen. In its terror it ran to take shelter and hide itself under Dapple. Sancho caught it alive and presented it to Don Quixote, who was saying, "Malum signum, malum signum! a hare flies, greyhounds chase it, Dulcinea appears not."

"Your worship's a strange man," said Sancho; "let's take it for granted that this hare is Dulcinea, and these greyhounds chasing it the malignant enchanters who turned her into a country wench; she flies, and I catch her and put her into your worship's hands, and you hold her in your arms and cherish her; what bad sign is that, or what ill omen is there to be found here?"

The two boys who had been quarrelling came over to look at the hare, and Sancho asked one of them what their quarrel was about. He was answered by the one who had said, "Thou shalt never see it again as long as thou livest," that he had taken a cage full of crickets from the other boy, and did not mean to give it back to him as long as he lived. Sancho took out four cuartos from his pocket and gave them to the boy for the cage, which he placed in Don Quixote's hands, saying, "There, senor! there are the omens broken and destroyed, and they have no more to do with our affairs, to my thinking, fool as I am, than with last year's clouds; and if I remember rightly I have heard the curate of our village say that it does not become Christians or sensible people to give any heed to these silly things; and even you yourself said the same to me some time ago, telling me that all Christians who minded omens were fools; but there's no need of making words about it; let us push on and go into our village."

The sportsmen came up and asked for their hare, which Don Quixote gave them. They then went on, and upon the green at the entrance of the town they came upon the curate and the bachelor Samson Carrasco busy with their breviaries. It should be mentioned that Sancho had thrown, by way of a sumpter-cloth, over Dapple and over the bundle of armour, the buckram robe painted with flames which they had put upon him at the duke's castle the night Altisidora came back to life. He had also fixed the mitre on Dapple's head, the oddest transformation and decoration that ever ass in the world underwent. They were at once recognised by both the curate and the bachelor, who came towards them with open arms. Don Quixote dismounted and received them with a close embrace; and the boys, who are lynxes that nothing escapes, spied out the ass's mitre and came running to see it, calling out to one another, "Come here, boys, and see Sancho Panza's ass figged out finer than Mingo, and Don Quixote's beast leaner than ever."

So at length, with the boys capering round them, and accompanied by the curate and the bachelor, they made their entrance into the town, and proceeded to Don Quixote's house, at the door of which they found his housekeeper and niece, whom the news of his arrival had already reached. It had been brought to Teresa Panza, Sancho's wife, as well, and she with her hair all loose and half naked, dragging Sanchica her daughter by the hand, ran out to meet her husband; but seeing him coming in by no means as good case as she thought a governor ought to be, she said to him, "How is it you come this way, husband? It seems to me you come tramping and footsore, and looking more like a disorderly vagabond than a governor."

"Hold your tongue, Teresa," said Sancho; "often 'where there are pegs there are no flitches;' let's go into the house and there you'll hear strange things. I bring money, and that's the main thing, got by my own industry without wronging anybody."

"You bring the money, my good husband," said Teresa, "and no matter whether it was got this way or that; for, however you may have got it, you'll not have brought any new practice into the world."

Sanchica embraced her father and asked him if he brought her anything, for she had been looking out for him as for the showers of May; and she taking hold of him by the girdle on one side, and his wife by the hand, while the daughter led Dapple, they made for their house, leaving Don Quixote in his, in the hands of his niece and housekeeper, and in the company of the curate and the bachelor.

Don Quixote at once, without any regard to time or season, withdrew in private with the bachelor and the curate, and in a few words told them of his defeat, and of the engagement he was under not to quit his village for a year, which he meant to keep to the letter without departing a hair's breadth from it, as became a knight-errant bound by scrupulous good faith and the laws of knight-errantry; and of how he thought of turning shepherd for that year, and taking his diversion in the solitude of the fields, where he could with perfect freedom give range to his thoughts of love while he followed the virtuous pastoral calling; and he besought them, if they had not a great deal to do and were not prevented by more important business, to consent to be his companions, for he would buy sheep enough to qualify them for shepherds; and the most important point of the whole affair, he could tell them, was settled, for he had given them names that would fit them to a T. The curate asked what they were. Don Quixote replied that he himself was to be called the shepherd Quixotize and the bachelor the shepherd Carrascon, and the curate the shepherd Curambro, and Sancho Panza the shepherd Pancino.

Both were astounded at Don Quixote's new craze; however, lest he should once more make off out of the village from them in pursuit of his chivalry, they trusting that in the course of the year he might be cured, fell in with his new project, applauded his crazy idea as a bright one, and offered to share the life with him. "And what's more," said Samson Carrasco, "I am, as all the world knows, a very famous poet, and I'll be always making verses, pastoral, or courtly, or as it may come into my head, to pass away our time in those secluded regions where we shall be roaming. But what is most needful, sirs, is that each of us should choose the name of the shepherdess he means to glorify in his verses, and that we should not leave a tree, be it ever so hard, without writing up and carving her name on it, as is the habit and custom of love-smitten shepherds."

"That's the very thing," said Don Quixote; "though I am relieved from looking for the name of an imaginary shepherdess, for there's the peerless Dulcinea del Toboso, the glory of these brooksides, the ornament of these meadows, the mainstay of beauty, the cream of all the graces, and, in a word, the being to whom all praise is appropriate, be it ever so hyperbolical."

"Very true," said the curate; "but we the others must look about for accommodating shepherdesses that will answer our purpose one way or another."

"And," added Samson Carrasco, "if they fail us, we can call them by the names of the ones in print that the world is filled with, Filidas, Amarilises, Dianas, Fleridas, Galateas, Belisardas; for as they sell them in the market-places we may fairly buy them and make them our own. If my lady, or I should say my shepherdess, happens to be called Ana, I'll sing her praises under the name of Anarda, and if Francisca, I'll call her Francenia, and if Lucia, Lucinda, for it all comes to the same thing; and Sancho Panza, if he joins this fraternity, may glorify his wife Teresa Panza as Teresaina."

Don Quixote laughed at the adaptation of the name, and the curate bestowed vast praise upon the worthy and honourable resolution he had made, and again offered to bear him company all the time that he could spare from his imperative duties. And so they took their leave of him, recommending and beseeching him to take care of his health and treat himself to a suitable diet.

It so happened his niece and the housekeeper overheard all the three of them said; and as soon as they were gone they both of them came in to Don Quixote, and said the niece, "What's this, uncle? Now that we were thinking you had come back to stay at home and lead a quiet respectable life there, are you going to get into fresh entanglements, and turn 'young shepherd, thou that comest here, young shepherd going there?' Nay! indeed 'the straw is too hard now to make pipes of.'"

"And," added the housekeeper, "will your worship be able to bear, out in the fields, the heats of summer, and the chills of winter, and the howling of the wolves? Not you; for that's a life and a business for hardy men, bred and seasoned to such work almost from the time they were in swaddling-clothes. Why, to make choice of evils, it's better to be a knight-errant than a shepherd! Look here, senor; take my advice--and I'm not giving it to you full of bread and wine, but fasting, and with fifty years upon my head--stay at home, look after your affairs, go often to confession, be good to the poor, and upon my soul be it if any evil comes to you."

"Hold your peace, my daughters," said Don Quixote; "I know very well what my duty is; help me to bed, for I don't feel very well; and rest assured that, knight-errant now or wandering shepherd to be, I shall never fail to have a care for your interests, as you will see in the end." And the good wenches (for that they undoubtedly were), the housekeeper and niece, helped him to bed, where they gave him something to eat and made him as comfortable as possible.

## CHAPTER LXXIV.

### OF HOW DON QUIXOTE FELL SICK, AND OF THE WILL HE MADE, AND HOW HE DIED

As nothing that is man's can last for ever, but all tends ever downwards from its beginning to its end, and above all man's life, and as Don Quixote's enjoyed no special dispensation from heaven to stay its course, its end and close came when he least looked for it. For--whether it was of the dejection the thought of his defeat produced, or of heaven's will that so ordered it--a fever settled upon him and kept him in his bed for six days, during which he was often visited by his friends the curate, the bachelor, and the barber, while his good squire Sancho Panza never quitted his bedside. They, persuaded that it was grief at finding himself vanquished, and the object of his heart, the liberation and disenchantment of Dulcinea, unattained, that kept him in this state, strove by all the means in their power to cheer him up; the bachelor bidding him take heart and get up to begin his pastoral life, for which he himself, he said, had already composed an eclogue that would take the shine out of all Sannazaro had ever written, and had bought with his own money two famous dogs to guard the flock, one called Barcino and the other Butron, which a herdsman of Quintanar had sold him.

But for all this Don Quixote could not shake off his sadness. His friends called in the doctor, who felt his pulse and was not very well satisfied with it, and said that in any case it would be well for him to attend to the health of his soul, as that of his body was in a bad way. Don Quixote heard this calmly; but not so his housekeeper, his niece, and his squire, who fell weeping bitterly, as if they had him lying dead before them. The doctor's opinion was that melancholy and depression were bringing him to his end. Don Quixote begged them to leave him to himself, as he had a wish to sleep a little. They obeyed, and he slept at one stretch, as the saying is, more than six hours, so that the housekeeper and niece thought he was going to sleep for ever. But at the end of that time he woke up, and in a loud voice exclaimed, "Blessed be Almighty God, who has shown me such goodness. In truth his mercies are boundless, and the sins of men can neither limit them nor keep them back!"

The niece listened with attention to her uncle's words, and they struck her as more coherent than what usually fell from him, at least during his illness, so she asked, "What are you saying, senor? Has anything strange occurred? What mercies or what sins of men are you talking of?"

"The mercies, niece," said Don Quixote, "are those that God has this moment shown me, and with him, as I said, my sins are no impediment to them. My reason is now free and clear, rid of the dark shadows of ignorance that my unhappy constant study of those detestable books of chivalry cast over it. Now I see through their absurdities and deceptions, and it only grieves me that this destruction of my illusions has come so late that it leaves me no time to make some amends by reading other books that might be a light to my soul. Niece, I feel myself at the point of death, and I would fain meet it in such a way as to show that my life has not been so ill that I should leave behind me the name of a madman; for though I have been one, I would not that the fact should be made plainer at my death. Call in to me, my dear, my good friends the curate, the bachelor Samson Carrasco, and Master Nicholas the barber, for I wish to confess and make my will." But his niece was saved the trouble by the entrance of the three. The instant Don Quixote saw them he exclaimed, "Good news for you, good sirs, that I am no longer Don Quixote of La Mancha, but Alonso Quixano, whose way of life won for him the name of Good. Now am I the enemy of Amadis of Gaul and of the whole countless troop of his descendants; odious to me now are all the profane stories of knight-errantry; now I perceive my folly, and the peril into which reading them brought me; now, by God's mercy schooled into my right senses, I loathe them."

When the three heard him speak in this way, they had no doubt whatever that some new craze had taken possession of him; and said Samson, "What? Senor Don Quixote! Now that we have intelligence of the lady Dulcinea being disenchanted, are you taking this line; now, just as we are on the point of becoming shepherds, to pass our lives singing, like princes, are you thinking of turning hermit? Hush, for heaven's sake, be rational and let's have no more nonsense."

"All that nonsense," said Don Quixote, "that until now has been a reality to my hurt, my death will, with heaven's help, turn to my good. I feel, sirs, that I am rapidly drawing near death; a truce to jesting; let me have a confessor to confess me, and a notary to make my will; for in extremities like this, man must not trifle with his soul; and while the curate is confessing me let some one, I beg, go for the notary."

They looked at one another, wondering at Don Quixote's words; but, though uncertain, they were inclined to believe him, and one of the signs by which they came to the conclusion he was dying was this so sudden and complete return to his senses after having been mad; for to the words already quoted he added much more, so well expressed, so devout, and so rational, as to banish all doubt and convince them that he was sound of mind. The curate turned them all out, and left alone with him confessed him. The bachelor went for the notary and returned shortly afterwards with him and with Sancho, who, having already learned from the bachelor the condition his master was in, and finding the housekeeper and niece weeping, began to blubber and shed tears.

The confession over, the curate came out saying, "Alonso Quixano the Good is indeed dying, and is indeed in his right mind; we may now go in to him while he makes his will."

This news gave a tremendous impulse to the brimming eyes of the housekeeper, niece, and Sancho Panza his good squire, making the tears burst from their eyes and a host of sighs from their hearts; for of a truth, as has been said more than once, whether as plain Alonso Quixano the Good, or as Don Quixote of La Mancha, Don Quixote was always of a gentle disposition and kindly in all his ways, and hence he was beloved, not only by those of his own house, but by all who knew him.

The notary came in with the rest, and as soon as the preamble of the had been set out and Don Quixote had commended his soul to God with all the devout formalities that are usual, coming to the bequests, he said, "Item, it is my will that, touching certain moneys in the hands of Sancho Panza (whom in my madness I made my squire), inasmuch as between him and me there have been certain accounts and debits and credits, no claim be made against him, nor any account demanded of him in respect of them; but that if anything remain over and above, after he has paid himself what I owe him, the balance, which will be but little, shall be his, and much good may it do him; and if, as when I was mad I had a share in giving him the government of an island, so, now that I am in my senses, I could give him that of a kingdom, it should be his, for the simplicity of his character and the fidelity of his conduct deserve it." And then, turning to Sancho, he said, "Forgive me, my friend, that I led thee to seem as mad as myself, making thee fall into the same error I myself fell into, that there were and still are knights-errant in the world."

"Ah!" said Sancho weeping, "don't die, master, but take my advice and live many years; for the foolishest thing a man can do in this life is to let himself die without rhyme or reason, without anybody killing him, or any hands but melancholy's making an end of him. Come, don't be lazy, but get up from your bed and let us take to the fields in shepherd's trim as we agreed. Perhaps behind some bush we shall find the lady Dulcinea disenchanted, as fine as fine can be. If it be that you are dying of vexation at having been vanquished, lay the blame on me, and say you were overthrown because I had girthed Rocinante badly; besides you must have seen in your books of chivalry that it is a common thing for knights to upset one another, and for him who is conquered to-day to be conqueror tomorrow."

"Very true," said Samson, "and good Sancho Panza's view of these cases is quite right."

"Sirs, not so fast," said Don Quixote, "'in last year's nests there are no birds this year.' I was mad, now I am in my senses; I was Don Quixote of La Mancha, I am now, as I said, Alonso Quixano the Good; and may my repentance and sincerity restore me to the esteem you used to have for me; and now let Master Notary proceed.

"Item, I leave all my property absolutely to Antonia Quixana my niece, here present, after all has been deducted from the most available portion of it that may be required to satisfy the bequests I have made. And the first disbursement I desire to be made is the payment of the wages I owe for the time my housekeeper has served me, with twenty ducats, over and above, for a gown. The curate and the bachelor Samson Carrasco, now present, I appoint my executors.

"Item, it is my wish that if Antonia Quixana, my niece, desires to marry, she shall marry a man of whom it shall be first of all ascertained by information taken that he does not know what books of chivalry are; and if it should be proved that he does, and if, in spite of this, my niece insists upon marrying him, and does marry him, then that she shall forfeit the whole of what I have left her, which my executors shall devote to works of charity as they please.

"Item, I entreat the aforesaid gentlemen my executors, that, if any happy chance should lead them to discover the author who is said to have written a history now going about under the title of 'Second Part of the Achievements of Don Quixote of La Mancha,' they beg of him on my behalf as earnestly as they can to forgive me for having been, without intending it, the cause of his writing so many and such monstrous absurdities as he has written in it; for I am leaving the world with a feeling of compunction at having provoked him to write them."

With this he closed his will, and a faintness coming over him he stretched himself out at full length on the bed. All were in a flutter and made haste to relieve him, and during the three days he lived after that on which he made his will he fainted away very often. The house was all in confusion; but still the niece ate and the housekeeper drank and Sancho Panza enjoyed himself; for inheriting property wipes out or softens down in the heir the feeling of grief the dead man might be expected to leave behind him.

At last Don Quixote's end came, after he had received all the sacraments, and had in full and forcible terms expressed his detestation of books of chivalry. The notary was there at the time, and he said that in no book of chivalry had he ever read of any knight-errant dying in his bed so calmly and so like a Christian as Don Quixote, who amid the tears and lamentations of all present yielded up his spirit, that is to say died. On perceiving it the curate begged the notary to bear witness that Alonso Quixano the Good, commonly called Don Quixote of La Mancha, had passed away from this present life, and died naturally; and said he desired this testimony in order to remove the possibility of any other author save Cide Hamete Benengeli bringing him to life again falsely and making interminable stories out of his achievements.

Such was the end of the Ingenious Gentleman of La Mancha, whose village Cide Hamete would not indicate precisely, in order to leave all the towns and villages of La Mancha to contend among themselves for the right to adopt him and claim him as a son, as the seven cities of Greece contended for Homer. The lamentations of Sancho and the niece and housekeeper are omitted here, as well as the new epitaphs upon his tomb; Samson Carrasco, however, put the following lines:

    A doughty gentleman lies here;
    A stranger all his life to fear;
    Nor in his death could Death prevail,
    In that last hour, to make him quail.
    He for the world but little cared;
    And at his feats the world was scared;
    A crazy man his life he passed,
    But in his senses died at last.

And said most sage Cide Hamete to his pen, "Rest here, hung up by this brass wire, upon this shelf, O my pen, whether of skilful make or clumsy cut I know not; here shalt thou remain long ages hence, unless presumptuous or malignant story-tellers take thee down to profane thee. But ere they touch thee warn them, and, as best thou canst, say to them:

    Hold off! ye weaklings; hold your hands!
      Adventure it let none,
    For this emprise, my lord the king,
      Was meant for me alone.

For me alone was Don Quixote born, and I for him; it was his to act, mine to write; we two together make but one, notwithstanding and in spite of that pretended Tordesillesque writer who has ventured or would venture with his great, coarse, ill-trimmed ostrich quill to write the achievements of my valiant knight;--no burden for his shoulders, nor subject for his frozen wit: whom, if perchance thou shouldst come to know him, thou shalt warn to leave at rest where they lie the weary mouldering bones of Don Quixote, and not to attempt to carry him off, in opposition to all the privileges of death, to Old Castile, making him rise from the grave where in reality and truth he lies stretched at full length, powerless to make any third expedition or new sally; for the two that he has already made, so much to the enjoyment and approval of everybody to whom they have become known, in this as well as in foreign countries, are quite sufficient for the purpose of turning into ridicule the whole of those made by the whole set of the knights-errant; and so doing shalt thou discharge thy Christian calling, giving good counsel to one that bears ill-will to thee. And I shall remain satisfied, and proud to have been the first who has ever enjoyed the fruit of his writings as fully as he could desire; for my desire has been no other than to deliver over to the detestation of mankind the false and foolish tales of the books of chivalry, which, thanks to that of my true Don Quixote, are even now tottering, and doubtless doomed to fall for ever. Farewell."

    End of the Project Gutenberg EBook of The History of Don Quixote, Vol. II.,
    Part 42, by Miguel de Cervantes

    *** END OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 42 ***

    ***** This file should be named 5945-h.htm or 5945-h.zip *****
    This and all associated files of various formats will be found in:
            http://www.gutenberg.net/5/9/4/5945/

    Produced by David Widger

    Updated editions will replace the previous one--the old editions
    will be renamed.

    Creating the works from public domain print editions means that no
    one owns a United States copyright in these works, so the Foundation
    (and you!) can copy and distribute it in the United States without
    permission and without paying copyright royalties.  Special rules,
    set forth in the General Terms of Use part of this license, apply to
    copying and distributing Project Gutenberg-tm electronic works to
    protect the PROJECT GUTENBERG-tm concept and trademark.  Project
    Gutenberg is a registered trademark, and may not be used if you
    charge for the eBooks, unless you receive specific permission.  If you
    do not charge anything for copies of this eBook, complying with the
    rules is very easy.  You may use this eBook for nearly any purpose
    such as creation of derivative works, reports, performances and
    research.  They may be modified and printed and given away--you may do
    practically ANYTHING with public domain eBooks.  Redistribution is
    subject to the trademark license, especially commercial
    redistribution.

    *** START: FULL LICENSE ***

    THE FULL PROJECT GUTENBERG LICENSE
    PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

    To protect the Project Gutenberg-tm mission of promoting the free
    distribution of electronic works, by using or distributing this work
    (or any other work associated in any way with the phrase "Project
    Gutenberg"), you agree to comply with all the terms of the Full Project
    Gutenberg-tm License (available with this file or online at
    http://gutenberg.net/license).

    Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
    electronic works

    1.A.  By reading or using any part of this Project Gutenberg-tm
    electronic work, you indicate that you have read, understand, agree to
    and accept all the terms of this license and intellectual property
    (trademark/copyright) agreement.  If you do not agree to abide by all
    the terms of this agreement, you must cease using and return or destroy
    all copies of Project Gutenberg-tm electronic works in your possession.
    If you paid a fee for obtaining a copy of or access to a Project
    Gutenberg-tm electronic work and you do not agree to be bound by the
    terms of this agreement, you may obtain a refund from the person or
    entity to whom you paid the fee as set forth in paragraph 1.E.8.

    1.B.  "Project Gutenberg" is a registered trademark.  It may only be
    used on or associated in any way with an electronic work by people who
    agree to be bound by the terms of this agreement.  There are a few
    things that you can do with most Project Gutenberg-tm electronic works
    even without complying with the full terms of this agreement.  See
    paragraph 1.C below.  There are a lot of things you can do with Project
    Gutenberg-tm electronic works if you follow the terms of this agreement
    and help preserve free future access to Project Gutenberg-tm electronic
    works.  See paragraph 1.E below.

    1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
    or PGLAF), owns a compilation copyright in the collection of Project
    Gutenberg-tm electronic works.  Nearly all the individual works in the
    collection are in the public domain in the United States.  If an
    individual work is in the public domain in the United States and you are
    located in the United States, we do not claim a right to prevent you from
    copying, distributing, performing, displaying or creating derivative
    works based on the work as long as all references to Project Gutenberg
    are removed.  Of course, we hope that you will support the Project
    Gutenberg-tm mission of promoting free access to electronic works by
    freely sharing Project Gutenberg-tm works in compliance with the terms of
    this agreement for keeping the Project Gutenberg-tm name associated with
    the work.  You can easily comply with the terms of this agreement by
    keeping this work in the same format with its attached full Project
    Gutenberg-tm License when you share it without charge with others.

    1.D.  The copyright laws of the place where you are located also govern
    what you can do with this work.  Copyright laws in most countries are in
    a constant state of change.  If you are outside the United States, check
    the laws of your country in addition to the terms of this agreement
    before downloading, copying, displaying, performing, distributing or
    creating derivative works based on this work or any other Project
    Gutenberg-tm work.  The Foundation makes no representations concerning
    the copyright status of any work in any country outside the United
    States.

    1.E.  Unless you have removed all references to Project Gutenberg:

    1.E.1.  The following sentence, with active links to, or other immediate
    access to, the full Project Gutenberg-tm License must appear prominently
    whenever any copy of a Project Gutenberg-tm work (any work on which the
    phrase "Project Gutenberg" appears, or with which the phrase "Project
    Gutenberg" is associated) is accessed, displayed, performed, viewed,
    copied or distributed:

    This eBook is for the use of anyone anywhere at no cost and with
    almost no restrictions whatsoever.  You may copy it, give it away or
    re-use it under the terms of the Project Gutenberg License included
    with this eBook or online at www.gutenberg.net

    1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
    from the public domain (does not contain a notice indicating that it is
    posted with permission of the copyright holder), the work can be copied
    and distributed to anyone in the United States without paying any fees
    or charges.  If you are redistributing or providing access to a work
    with the phrase "Project Gutenberg" associated with or appearing on the
    work, you must comply either with the requirements of paragraphs 1.E.1
    through 1.E.7 or obtain permission for the use of the work and the
    Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
    1.E.9.

    1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
    with the permission of the copyright holder, your use and distribution
    must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
    terms imposed by the copyright holder.  Additional terms will be linked
    to the Project Gutenberg-tm License for all works posted with the
    permission of the copyright holder found at the beginning of this work.

    1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
    License terms from this work, or any files containing a part of this
    work or any other work associated with Project Gutenberg-tm.

    1.E.5.  Do not copy, display, perform, distribute or redistribute this
    electronic work, or any part of this electronic work, without
    prominently displaying the sentence set forth in paragraph 1.E.1 with
    active links or immediate access to the full terms of the Project
    Gutenberg-tm License.

    1.E.6.  You may convert to and distribute this work in any binary,
    compressed, marked up, nonproprietary or proprietary form, including any
    word processing or hypertext form.  However, if you provide access to or
    distribute copies of a Project Gutenberg-tm work in a format other than
    "Plain Vanilla ASCII" or other format used in the official version
    posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
    you must, at no additional cost, fee or expense to the user, provide a
    copy, a means of exporting a copy, or a means of obtaining a copy upon
    request, of the work in its original "Plain Vanilla ASCII" or other
    form.  Any alternate format must include the full Project Gutenberg-tm
    License as specified in paragraph 1.E.1.

    1.E.7.  Do not charge a fee for access to, viewing, displaying,
    performing, copying or distributing any Project Gutenberg-tm works
    unless you comply with paragraph 1.E.8 or 1.E.9.

    1.E.8.  You may charge a reasonable fee for copies of or providing
    access to or distributing Project Gutenberg-tm electronic works provided
    that

    - You pay a royalty fee of 20% of the gross profits you derive from
         the use of Project Gutenberg-tm works calculated using the method
         you already use to calculate your applicable taxes.  The fee is
         owed to the owner of the Project Gutenberg-tm trademark, but he
         has agreed to donate royalties under this paragraph to the
         Project Gutenberg Literary Archive Foundation.  Royalty payments
         must be paid within 60 days following each date on which you
         prepare (or are legally required to prepare) your periodic tax
         returns.  Royalty payments should be clearly marked as such and
         sent to the Project Gutenberg Literary Archive Foundation at the
         address specified in Section 4, "Information about donations to
         the Project Gutenberg Literary Archive Foundation."

    - You provide a full refund of any money paid by a user who notifies
         you in writing (or by e-mail) within 30 days of receipt that s/he
         does not agree to the terms of the full Project Gutenberg-tm
         License.  You must require such a user to return or
         destroy all copies of the works possessed in a physical medium
         and discontinue all use of and all access to other copies of
         Project Gutenberg-tm works.

    - You provide, in accordance with paragraph 1.F.3, a full refund of any
         money paid for a work or a replacement copy, if a defect in the
         electronic work is discovered and reported to you within 90 days
         of receipt of the work.

    - You comply with all other terms of this agreement for free
         distribution of Project Gutenberg-tm works.

    1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
    electronic work or group of works on different terms than are set
    forth in this agreement, you must obtain permission in writing from
    both the Project Gutenberg Literary Archive Foundation and Michael
    Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
    Foundation as set forth in Section 3 below.

    1.F.

    1.F.1.  Project Gutenberg volunteers and employees expend considerable
    effort to identify, do copyright research on, transcribe and proofread
    public domain works in creating the Project Gutenberg-tm
    collection.  Despite these efforts, Project Gutenberg-tm electronic
    works, and the medium on which they may be stored, may contain
    "Defects," such as, but not limited to, incomplete, inaccurate or
    corrupt data, transcription errors, a copyright or other intellectual
    property infringement, a defective or damaged disk or other medium, a
    computer virus, or computer codes that damage or cannot be read by
    your equipment.

    1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
    of Replacement or Refund" described in paragraph 1.F.3, the Project
    Gutenberg Literary Archive Foundation, the owner of the Project
    Gutenberg-tm trademark, and any other party distributing a Project
    Gutenberg-tm electronic work under this agreement, disclaim all
    liability to you for damages, costs and expenses, including legal
    fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
    LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
    PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
    TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
    LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
    INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
    DAMAGE.

    1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
    defect in this electronic work within 90 days of receiving it, you can
    receive a refund of the money (if any) you paid for it by sending a
    written explanation to the person you received the work from.  If you
    received the work on a physical medium, you must return the medium with
    your written explanation.  The person or entity that provided you with
    the defective work may elect to provide a replacement copy in lieu of a
    refund.  If you received the work electronically, the person or entity
    providing it to you may choose to give you a second opportunity to
    receive the work electronically in lieu of a refund.  If the second copy
    is also defective, you may demand a refund in writing without further
    opportunities to fix the problem.

    1.F.4.  Except for the limited right of replacement or refund set forth
    in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
    WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
    WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

    1.F.5.  Some states do not allow disclaimers of certain implied
    warranties or the exclusion or limitation of certain types of damages.
    If any disclaimer or limitation set forth in this agreement violates the
    law of the state applicable to this agreement, the agreement shall be
    interpreted to make the maximum disclaimer or limitation permitted by
    the applicable state law.  The invalidity or unenforceability of any
    provision of this agreement shall not void the remaining provisions.

    1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
    trademark owner, any agent or employee of the Foundation, anyone
    providing copies of Project Gutenberg-tm electronic works in accordance
    with this agreement, and any volunteers associated with the production,
    promotion and distribution of Project Gutenberg-tm electronic works,
    harmless from all liability, costs and expenses, including legal fees,
    that arise directly or indirectly from any of the following which you do
    or cause to occur: (a) distribution of this or any Project Gutenberg-tm
    work, (b) alteration, modification, or additions or deletions to any
    Project Gutenberg-tm work, and (c) any Defect you cause.

    Section  2.  Information about the Mission of Project Gutenberg-tm

    Project Gutenberg-tm is synonymous with the free distribution of
    electronic works in formats readable by the widest variety of computers
    including obsolete, old, middle-aged and new computers.  It exists
    because of the efforts of hundreds of volunteers and donations from
    people in all walks of life.

    Volunteers and financial support to provide volunteers with the
    assistance they need, is critical to reaching Project Gutenberg-tm's
    goals and ensuring that the Project Gutenberg-tm collection will
    remain freely available for generations to come.  In 2001, the Project
    Gutenberg Literary Archive Foundation was created to provide a secure
    and permanent future for Project Gutenberg-tm and future generations.
    To learn more about the Project Gutenberg Literary Archive Foundation
    and how your efforts and donations can help, see Sections 3 and 4
    and the Foundation web page at http://www.pglaf.org.

    Section 3.  Information about the Project Gutenberg Literary Archive
    Foundation

    The Project Gutenberg Literary Archive Foundation is a non profit
    501(c)(3) educational corporation organized under the laws of the
    state of Mississippi and granted tax exempt status by the Internal
    Revenue Service.  The Foundation's EIN or federal tax identification
    number is 64-6221541.  Its 501(c)(3) letter is posted at
    http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
    Literary Archive Foundation are tax deductible to the full extent
    permitted by U.S. federal laws and your state's laws.

    The Foundation's principal office is located at 4557 Melan Dr. S.
    Fairbanks, AK, 99712., but its volunteers and employees are scattered
    throughout numerous locations.  Its business office is located at
    809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
    business@pglaf.org.  Email contact links and up to date contact
    information can be found at the Foundation's web site and official
    page at http://pglaf.org

    For additional contact information:
         Dr. Gregory B. Newby
         Chief Executive and Director
         gbnewby@pglaf.org

    Section 4.  Information about Donations to the Project Gutenberg
    Literary Archive Foundation

    Project Gutenberg-tm depends upon and cannot survive without wide
    spread public support and donations to carry out its mission of
    increasing the number of public domain and licensed works that can be
    freely distributed in machine readable form accessible by the widest
    array of equipment including outdated equipment.  Many small donations
    ($1 to $5,000) are particularly important to maintaining tax exempt
    status with the IRS.

    The Foundation is committed to complying with the laws regulating
    charities and charitable donations in all 50 states of the United
    States.  Compliance requirements are not uniform and it takes a
    considerable effort, much paperwork and many fees to meet and keep up
    with these requirements.  We do not solicit donations in locations
    where we have not received written confirmation of compliance.  To
    SEND DONATIONS or determine the status of compliance for any
    particular state visit http://pglaf.org

    While we cannot and do not solicit contributions from states where we
    have not met the solicitation requirements, we know of no prohibition
    against accepting unsolicited donations from donors in such states who
    approach us with offers to donate.

    International donations are gratefully accepted, but we cannot make
    any statements concerning tax treatment of donations received from
    outside the United States.  U.S. laws alone swamp our small staff.

    Please check the Project Gutenberg Web pages for current donation
    methods and addresses.  Donations are accepted in a number of other
    ways including including checks, online payments and credit card
    donations.  To donate, please visit: http://pglaf.org/donate

    Section 5.  General Information About Project Gutenberg-tm electronic
    works.

    Professor Michael S. Hart is the originator of the Project Gutenberg-tm
    concept of a library of electronic works that could be freely shared
    with anyone.  For thirty years, he produced and distributed Project
    Gutenberg-tm eBooks with only a loose network of volunteer support.

    Project Gutenberg-tm eBooks are often created from several printed
    editions, all of which are confirmed as Public Domain in the U.S.
    unless a copyright notice is included.  Thus, we do not necessarily
    keep eBooks in compliance with any particular paper edition.

    Most people start at our Web site which has the main PG search facility:

         http://www.gutenberg.net

    This Web site includes information about Project Gutenberg-tm,
    including how to make donations to the Project Gutenberg Literary
    Archive Foundation, how to help produce our new eBooks, and how to
    subscribe to our email newsletter to hear about new eBooks.