Image:Maslenitsa kustodiev.jpg

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Every Christian nation has its variety of Carnival, and Russia is no exception. The last week before Great Lent is called Maslenitsa. Its literal meaning is "Butter Week", although a more appropriate translation would be "Pancake Week". Maslenitsa has a dual ancestry: pagan and Christian. On the pagan side, Maslenitsa is a sun festival, celebrating the imminent end of the winter. On the Christian side, it is the last week before the Lent, when eating meat is forbidden, but pancakes ( bliny) are still allowed and consumed in great quantities.

The Russian painter Boris Kustodiev (1878-1927) was fascinated with old, rural Russia which he felt was slowly but steadily disappearing. At the time of the Russian Revolution he created a series of paintings which were intended as a farewell to the provincial "Holy Russia" of yore. They are full of movement and warmth in the tradition of old Russian lubok, the Brueghels, and the Venetian vedutisti. The first of these paintings is now at the Tretyakov Gallery. Some others canvases from the series are on exhibit at the National Art Museum of Belarus , Russian Museum , and a private collection.

The nominated work was painted by Kustodiev in 1919, at the the height of the Russian Civil War. The painting seems to encompass a broad range of things associated with Russia. There we have snowy winter weather, a troika, an Orthodox church with onion domes. On the right is a theatre with a wrestling poster. On the left is a pub advertising "cheese" and "caviar". I believe the reproduction of this bright, hectic painting encapsulates the festive mood of Maslenitsa as the finale of the long Russian winter, thus significantly improving our article about this holiday. The canvas was presented by Kustodiev to his friend, painter Isaak Brodsky. It still hangs in his memorial house at St. Petersburg.

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Boris Kustodiyev. en:Maslenitsa. 1919. Oil on canvas. 71x98 sm.

Taken from http://www.belygorod.ru/img2/Maslennica/0KUSTODiev_Masl1916.jpg

The painting hangs in the en:Isaak Brodsky Museum, St. Petersburg

Creator/Artist
Name
Kustodiev, Boris Mikhailovich
Alternative names
Кустодиев Борис Михайлович; Kustodiew; Kustodijew
Date of birth/death 1878-03-07 1927-05-28
Location of birth/death Astrakhan, Russia / Астрахань, Россия Leningrad, Soviet Union / Ленинград, СССР
This is a faithful photographic reproduction of an original two-dimensional work of art. The original image comprising the work of art itself is in the public domain for the following reason:
Public domain
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Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


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Under United States copyright law, originality of expression is necessary for copyright protection, and a mere photograph of an out-of-copyright work may not be protected under U.S.copyright law. This photograph was taken in the U.S. or in another country where a similar rule applies (for a list of allowable countries, see Commons:When to use the PD-Art tag#Country-specific rules).
This photographic reproduction is therefore also in the public domain.

العربية | Česky | Deutsch | English | Ελληνικά | Español | فارسی | Français | עברית | Bahasa Indonesia | Italiano | 日本語 | 한국어 | Magyar | Nederlands | Polski | Português | Română | Русский | Slovenščina | Српски / Srpski | Basa Sunda | Türkçe | Українська | ‪中文(繁體)‬ | ‪中文(简体)‬ | +/-

This is a faithful photographic reproduction of an original two-dimensional work of art. The original image comprising the work of art itself is in the public domain for the following reason:
Public domain
This image (or other media file) is in the public domain because its copyright has expired.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


العربية | Asturianu | Български | Català | Česky | Dansk | Deutsch | English | Ελληνικά | Esperanto | Español | Euskara | فارسی | Français | Gaeilge | Galego | עברית | हिन्दी | Bahasa Indonesia | Italiano | 日本語 | 한국어 | Kurdî / كوردی | Lietuvių | Magyar | Nederlands | ‪Norsk (nynorsk)‬ | Македонски | Bahasa Melayu | Polski | Português | Română | Русский | Slovenčina | Slovenščina | Shqip | Suomi | Sámegiella | Türkçe | ‪中文(简体)‬ | ‪中文(繁體)‬ | 粵語 | +/-

Under United States copyright law, originality of expression is necessary for copyright protection, and a mere photograph of an out-of-copyright work may not be protected under U.S.copyright law. This photograph was taken in the U.S. or in another country where a similar rule applies (for a list of allowable countries, see Commons:When to use the PD-Art tag#Country-specific rules).
This photographic reproduction is therefore also in the public domain.

العربية | Česky | Deutsch | English | Ελληνικά | Español | فارسی | Français | עברית | Bahasa Indonesia | Italiano | 日本語 | 한국어 | Magyar | Nederlands | Polski | Português | Română | Русский | Slovenščina | Српски / Srpski | Basa Sunda | Türkçe | Українська | ‪中文(繁體)‬ | ‪中文(简体)‬ | +/-

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Date/Time Dimensions User Comment
current 12:31, 9 June 2007 2,000×1,452 (901 KB) Ghirlandajo (Boris Kustodiyev. '' en:Maslenitsa''. 1919. Oil on canvas. 71x98 sm. On exhibit at the National Art Museum of Belarus in Minsk.[http://www.rusmuseum.ru/ru/exhibitions/?id=294&i=0&year=2004&pic=6] Taken from http://www.belygorod.ru/img2/Maslennica/0K)
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