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This is a file from the Wikimedia Commons. The description on its description page there is shown below.Commons is a freely licensed media file repository. You can help.
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Painting information |
Artist |
Alma-Tadema, Lawrence |
Title |
English: Phidias Showing the Frieze of the Parthenon to his Friends
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Year |
1868 |
Technique |
English: Oil on canvas
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Dimensions |
English: (72 x 110.5 cm)
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Current location |
English: Birmingham Museum and Art Gallery
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English: Birmingham
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Notes |
English: Painting shows at left the North frieze slab XLVII and the West frieze Slabs I and up visible at right. Among the spectators, critics have identified Pericles, the bearded man facing Phidias. Next to him is his mistress, Aspasia. In the foreground stands a boy, Alcibiades, with his lover, Socrates.
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Other versions |
Detail, Socrates and Alcibiades
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Creator/Artist |
Name |
Alma-Tadema, Lawrence
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Date of birth/death |
1836-01-08 |
1912-06-26 |
Location of birth/death |
Dronrijp, Nederlands |
Wiesbaden, Germany |
This is a faithful photographic reproduction of an original two-dimensional work of art. The original image comprising the work of art itself is in the public domain for the following reason:
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This image (or other media file) is in the public domain because its copyright has expired.
This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.
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Under United States copyright law, originality of expression is necessary for copyright protection, and a mere photograph of an out-of-copyright work may not be protected under U.S.copyright law. This photograph was taken in the U.S. or in another country where a similar rule applies (for a list of allowable countries, see Commons:When to use the PD-Art tag#Country-specific rules). This photographic reproduction is therefore also in the public domain.
العربية | Česky | Deutsch | English | Ελληνικά | Español | فارسی | Français | עברית | Bahasa Indonesia | Italiano | 日本語 | 한국어 | Magyar | Nederlands | Polski | Português | Română | Русский | Slovenščina | Српски / Srpski | Basa Sunda | Türkçe | Українська | 中文(繁體) | 中文(简体) | +/- |
References
- ↑ See Parthenon Frieze Slabs at Last accessed 07-Apr-2007
- ↑ "[S]undry prominent Athenians, including Perikles with Aspasia, and Socrates with young Alcibiades, perambulate the scaffolding . . ." Nigel Spivey, Understanding Greek Sculpture, p.152
- ↑ "he introduces us to Phidias showing the frieze of the Parthenon to Pericles, Alcibiades, and Aspasia;" in SCRIBNERS MAGAZINE, DECEMBER 1895, LAURENS ALMA-TADEMA, R.A. By Cosmo Monkhouse; p.670 Photo of page in the Cornell Library
- ↑ "Little is actually known of the life of Phidias, but Alma Tadema's picture easily convinces us that thus the great sculptor displayed to his friends and patrons his completed handiwork. Phidias himself, standing within the rope barrier, seems to await the favorable verdict of his illustrious protector, Pericles, who confronts him and has at his side the beautiful Aspasia. The young man at the extreme left seems meant for Alcibiades, who has also accepted an invitation to this private view of the frieze of the Parthenon, seen not as we now behold it in the British Museum, but with its match-less figures glowing with the tints just laid upon it by Phidias and his fellow-workers." in Among the Great Masters of Painting: Scenes in the Lives of Famous Painters; Walter Rowlands p.2
File history
Click on a date/time to view the file as it appeared at that time.
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Date/Time |
Dimensions |
User |
Comment |
current |
04:11, 3 April 2007 |
2,280×1,513 (330 KB) |
Juanpdp |
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File links
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